Honor Award

Terra Nova: Building a New Venetian Ground

Kurt Marsh, Student Affiliate ASLA; Julia Price, Student ASLA and Erin Root, Student Affiliate ASLA, Graduate, University of Virginia
Faculty Advisor: Jorg Sieweke

  • Terra Nova: Building a New Venetian Ground
    Close Me!

    Site Plan: Terra Nova uses a new geotextile, floating wetlands and walkways, and a new stair typology to build protective ground and eventually form a lagoon park that reaches from the old city out into the lagoon.
    Download Hi-Res Image

    Image: Julia Price, Erin Root and Kurt Marsh

    Image 1 of 16

  • Terra Nova: Building a New Venetian Ground
    Close Me!

    Lagoon Ecology Mapping: Currently, the lagoon's floor, salt marshes, mudflats, and islands are severely eroded due to boat traffic and sea level rise.
    Download Hi-Res Image

    Image: Julia Price, Erin Root and Kurt Marsh

    Image 2 of 16

  • Terra Nova: Building a New Venetian Ground
    Close Me!

    Ground Building History (792-1892): Video stills showing the figure ground relationships of both the city's and lagoon's growth and the network of "islands and bridges" in lace. The morphology of Venice and the lagoon has developed through a gradual construction over many centuries.
    Download Hi-Res Image

    Image: Julia Price, Erin Root and Kurt Marsh

    Image 3 of 16

  • Terra Nova: Building a New Venetian Ground
    Close Me!

    Venetian Lace Making History: From the 16th to the 18th centuries, lace was an essential part of Venice's culture and economy. The two types of lace each of a unique logic that enables variation in density of thread, thereby differentiation of topography.
    Download Hi-Res Image

    Image: Julia Price, Erin Root and Kurt Marsh

    Image 4 of 16

  • Terra Nova: Building a New Venetian Ground
    Close Me!

    Current Salt Marsh Protection and Construction: Techniques of dredging, filling, and using rigid edge materials overfill the new salt marsh, compacting the sediment, precluding ecotone formation and necessary overtopping by tidal flux. This results in a monolithic artificial island rather than a fluctuating intertidal ecotone.
    Download Hi-Res Image

    Image: Julia Price, Erin Root and Kurt Marsh

    Image 5 of 16

  • Terra Nova: Building a New Venetian Ground
    Close Me!

    Proposed Salt Marsh construction Techniques: New "lade" geotextile forms a gradient of densities and flexibility across the salt marsh, edge and mud flat, to gradually build the ground through slow accretion and topographical adaptation. Floating wetlands act as wave buffers to protect this new habitat.
    Download Hi-Res Image

    Image: Julia Price, Erin Root and Kurt Marsh

    Image 6 of 16

  • Terra Nova: Building a New Venetian Ground
    Close Me!

    Proposed Ground building "Lace": Learning from the logic of lace making this new geotextile consists of both perforated and woven elements, transforming it from a two-dimensional mat to a three-dimensional structure that can be adapted to the specific site condition and build up layers of sediment over time.
    Download Hi-Res Image

    Image: Julia Price, Erin Root and Kurt Marsh

    Image 7 of 16

  • Terra Nova: Building a New Venetian Ground
    Close Me!

    Proposed Lagoon Park Landscape
    Download Hi-Res Image

    Image: Julia Price, Erin Root and Kurt Marsh

    Image 8 of 16

  • Terra Nova: Building a New Venetian Ground
    Close Me!

    Floating Wetland Construction and Materials
    Download Hi-Res Image

    Image: Julia Price, Erin Root and Kurt Marsh

    Image 9 of 16

  • Terra Nova: Building a New Venetian Ground
    Close Me!

    Floating Walkway Geometry Parametric Logic
    Download Hi-Res Image

    Image: Julia Price, Erin Root and Kurt Marsh

    Image 10 of 16

  • Terra Nova: Building a New Venetian Ground
    Close Me!

    Proposed Floating Wetland Waterscape
    Download Hi-Res Image

    Image: Julia Price, Erin Root and Kurt Marsh

    Image 11 of 16

  • Terra Nova: Building a New Venetian Ground
    Close Me!

    Proposed Tidal Stairs: New stairs react to tidal flux by extending and retracting vertically, allowing human access to the lagoon and floating wetlands during all times of day. LED lights change intensity with the changing tide.
    Download Hi-Res Image

    Image: Julia Price, Erin Root and Kurt Marsh

    Image 12 of 16

  • Terra Nova: Building a New Venetian Ground
    Close Me!

    Tidal Stairs and Wetlands Amplify the Experience of Venice at Night
    Download Hi-Res Image

    Image: Julia Price, Erin Root and Kurt Marsh

    Image 13 of 16

  • Terra Nova: Building a New Venetian Ground
    Close Me!

    Proposed Lagoon Park Plan, Castello/La Certosa: Stretching from Central Venice to the island of La Certosa, includes a floating wetland bridge allows pedestrian access to the greater lagoon, opening and closing with the tide.
    Download Hi-Res Image

    Image: Julia Price, Erin Root and Kurt Marsh

    Image 14 of 16

  • Terra Nova: Building a New Venetian Ground
    Close Me!

    Proposed Lagoon Park Plan, Giudecca/La Grazia: A new type of floating fondamenta is created on the southern edge of the city, connecting a growing residential neighborhood to its neighboring islands.
    Download Hi-Res Image

    Image: Julia Price, Erin Root and Kurt Marsh

    Image 15 of 16

  • Terra Nova: Building a New Venetian Ground
    Close Me!

    The Future of Ground Building: Using these strategies for gradual silt accretion, implementation will occur in areas where ground-building is already begun and or places in dire need of restoration due to boat traffic. Over time, ground will accrete and wetlands will expand into a new network of ecosystem and occupation throughout the lagoon.
    Download Hi-Res Image

    Image: Julia Price, Erin Root and Kurt Marsh

    Image 16 of 16

Project Statement

Venice symbolizes the strange beauty that is possible when human habitation adapts itself to extreme environmental surroundings. Sea level rise and climate change place the Venetian lagoon at a critical juncture in its existence and necessitate new techniques of adaptation. Terra Nova proposes a new, more flexible set of methods to build ground, improve biodiversity, and permit human access to this critical process in order to allow this very unique city and ecosystem to survive.

Project Narrative

The degree of collaboration between landscape architecture and architecture on this project was evident at all scales. A beautiful, creative solution.
—2011 Student Awards Jury

The city of Venice emerged incrementally from its lagoon habitat as the result of technological innovations that allowed people to build solid ground from marshy substrate. The relationship of urban occupation to the ephemeral morphology of the lagoon can be traced through the city’s history as a sequence of adaptations aimed at preserving this unique symbiosis: Starting in the 14th century, siltation from the many rivers that emptied into the lagoon threatened to shift the morphology toward that of a delta, and connect Venice to the mainland. This trend was fought by an impressive campaign of river diversions that spanned into the 17th century. Now, without the rivers adding sediment to the lagoon and with the increasing threat of storm surge and sea level rise, Venice is instead fighting to keep the lagoon from slowly becoming part of the Adriatic.

Campaigns to fight the increasing occurrence of flood, or acqua alta, have focused on centralized interventions — massive flood barriers (the MOSE project) at each of the lagoon’s three mouths to combat the inevitable. This heavy-handed approach is akin to the major river diversions that first reversed the morphological trend, and it fails to recognize the rich Venetian history of dispersed smaller-scale adaptations and management practices that governed the daily existence of Venice and her lagoon: floating mills that could be moved to take advantage of shifting wind and tidal patterns, managing wetlands and salt marshes for continued production of salt and maintaining a diversity of marine and avian species, emerging technologies for supporting and building ground, and complex networks of circulation. This proposal builds on this tradition of understanding and adapting and encourages the reimagining of Venice as a more connective place where social and environmental health are seen as inextricable parts of a comprehensive lagoon ecosystem.  

Beginning in the 1980s, it has increasingly been recognized that contemporary development, boat traffic, and fishing had so severely damaged the biodiversity and morphology of the lagoon that deleterious effects were being observed in the structural stability of the city, the cleanliness of the water, and levels of flooding. To repair some of this harm and supplement the storm surge protection of the MOSE, a campaign has been established to restore and construct new salt marshes and mudflats in the most eroded and exposed parts of the lagoon. Current construction practices use sediment dredged from transportation channels to rebuild the salt marshes that have been destroyed due to erosion or inundation. Perimeters of tubular gravel-filled sacks are laid out in forms that attempt to mimic natural morphologies. Dredge material is then pumped in from various places around the lagoon without concern for the particular sedimentary needs of the sites. It is pumped in quickly and without adequate regard for attaining the elevations or soil stratification needed for healthy marsh formations. This practice results in monolithic structures that are often too high to allow for the tidal influences needed to form tidal pools and creeks — that function more like islands than healthy wetlands. The gabion edges of these formations, while effective in preventing erosion control, are too rigid to allow for any topographic variation along the perimeters and restrict the necessary exchanges of sediment and nutrients along the wetland edge.  

In addition to these operational issues, there is also exists a physical and intellectual isolation between the people of Venice and ecological processes and issues that surround them. In the past, the city was populated by residents with an inherent connection to the larger lagoon and an understanding of the particular context of this amphibious urbanism. Now, however, the city is filled to capacity with tourists from all over the world who have little exposure to the lagoon or ability to have a positive contribution to its future. If a bodily experience of the lagoon’s ecology is made an integral part of the city of Venice, then perhaps the city can become more ecologically and socially resilient over the long-term through this more true and diverse understanding of the city by both tourists and residents.

Terra Nova addresses these shortcomings through the development of an aquatic geotextile that could be employed throughout the lagoon as part of a new ground-building regime of incremental sediment accretion and supplementation. The geotextile uses patterns of perforations that open and expand like gills to capture and hold sediment. This is applied in layers and pulled and contorted into gradient conditions by a system of flexible woven strips that provides further variations in density and texture along the surface. The layered combination of these two systems creates a surface that gradually thickens and thins in section and opens and closes in plan. This would encourage a slow and varied buildup of ground and the shifting emergence of a diversity of lagoon morphologies and interdependent ecosystems.

These wetland-forming operations would be especially important in areas around the lagoon where ecological health has deteriorated and where heavy boat traffic and tidal influx has led to problems with erosion of lagoon’s floor and its many edges. To protect against this erosion, the gradient between channel and accreting ground would be thickened. The inner edge of the varying geotextile would be porous to allow for a healthy exchange of water and minerals while an outer edge of protection would be created out of a network of floating treatment wetland islands. These islands are made of matrix of recycled plastic curls that supports plant growth and provides habitat for marine invertebrates. The network floats in response to tidal flux and storm surge and provides buffering from harmful boat wakes and waves. The connected network of wetland pads would be anchored in places with a branching web that would thicken the assembly in section to better protect the ground from wave action and aid the dangling roots of the plants in creating habitat for juvenile fish and other lagoon species. In plan the network is a pattern of voronoi pads that is parametrically derived along curve geometries that thicken and thin to create more or less biomass for varying protection and habitat needs.

In places, the voronoi pattern tightens and regularizes along a curve to create a walkway that snakes through the floating network and allows residents and visitors in Venice to occupy this emerging world of ecological activity. The walkway would be accessed through a new typology of stairs that would attach at key places along the hard vertical stone edges of the city and other lagoon islands. These large terracing stairs would retract and extend in the z-axis as an evocative new register of tidal flux that allows for constant access to the water. The new pathway would also open new social spaces for the city: It would provide new publically accessible waterfronts in emerging residential zones and allow pedestrian access to some of the city’s mysterious and beautiful network of peripheral islands that are currently marginalized and underused.   

This new multifunctional operation of ground building and floating networks would bring the richness of the lagoon’s ecology into closer proximity with the city of Venice and give it a more evocative and accessible presence within the lagoon. By diversifying and protecting the ecological activity within the lagoon, and allowing people to experience these processes, the project aims to change the perception of Venice from that of a postcard image of narrow alleys and gondola-filled canals to a fantastic city in which the urban fabric, history, and practices are inextricably connected to the processes that constitute this unique lagoon environment.  

Team Description

This project was a semester long collaboration between three students, all in their third year of their masters degree. The team included one Landscape Architecture student and one Architecture student who will both be graduating this semester. The third student will be receiving their masters in Landscape Architecture and Architecture in 2012. Each student began the semester with their own distinct interests in the history of the city and the surrounding islands, in addition to the ecology of the surrounding lagoon. These areas of research and design exploration then fed into and supported one another in a larger, cohesive project.

The architecture student began by researching the history and ritual of lace making in Venice. With a preceding interest in materials, the logic and structure of lace enabled a new approach to ground building with a flexible system. The dual degree student came to the project with an interest in contemporary technologies of floating wetlands and human occupation (of the marshes of the lagoon) by way of floating walkways and the arrangement of these elements using parametric software. The Landscape Architecture student began with an interest in city and salt marsh edge typologies and tidal fluctuation. Her knowledge of the large-scale aquatic ecosystems, plant habitats, and what creates and enables a diverse functioning ecosystem was essential to our understanding of the environment we were responding to and best practice interventions. This knowledge was integral to our separate research and design processes synthesizing into a project that responded to our objectives as individuals and as a group.

Additional Project Credits