Updated July 13, 2005
|
Security and Site
Design: A Landscape Architectural Approach to Analysis, Assessment
and Design Implementation, by Leonard J. Hopper, FASLA,
and Martha J. Droge, Associate ASLA. Published by Wiley and
Sons. |
Assessing Security Design
Martha Droge, Associate ASLA, discusses Security
and Site Design, the first comprehensive guide on security design
for landscape architects.
For
seven years, Martha Droge, Associate ASLA, was a Special Agent with
the U.S. State Department’s Bureau of Diplomatic Security,
traveling between “the industrialized world, the third world,
and the fourth world” and analyzing security for U.S. consulates
and embassies. While she has since left that career to become a
landscape architect and urban planner, it wasn’t a desire
to design secure spaces that drove her to her new station in life.
In fact, she left the world of security and anti-terrorism thinking
her two careers would never intersect.
“With the State Department, I was able to travel
all over the world, and I became extremely interested in the cultural
messages that are included in built forms,” Droge explains.
“I was interested in the fact that each generation seems to
be influenced by the built forms around them, and they, in turn,
build structures based on those influences that will influence the
next generation.” This fascination eventually turned into
a full-fledged career change, and Droge went on to earn a Master’s
of Landscape Architecture*, a Master's
in Urban Planning and a graduate level certificate in historic preservation
from the University of Virginia.
Although Droge thought she had left law enforcement
behind, the terrorist attacks of September 11, 2001, soon brought
her two careers together. Droge found herself in the unique situation
of being perhaps the only landscape architect in the country with
extensive federal anti-terrorism experience. After the terrorist
attacks, the country began taking a serious look at site security,
and she was asked to speak at ASLA-sponsored symposiums. During
this time she got to know Len Hopper, FASLA, ASLA Past President,
who was working on the principles of Crime Prevention Through Environmental
Design (CPTED) and who Droge describes as a “wonderful landscape
architect.” The two have gone on to co-author Security and
Site Design: A Landscape Architectural Approach to Analysis, Assessment
and Design Implementation, the first comprehensive guide
that covers security for a site rather than the building itself.
With her career taking yet another unexpected twist,
Droge’s design philosophy remains steeped in exploring the
differences between generations, but, like so many things, it now
reflects the post-September 11 realities. “It’s important
that this generation put its own mark on built forms,” she
says, “by creating buildings and landscapes that are strong
and beautiful and have an appropriate level of security.”
Balancing security
In their book, Security and Site Design, Droge and Hopper set out
to create a guide for landscape architects who are asked to create
a more secure site that is also inviting to the public. To do this,
they first outline six fundamental zones that must be considered
for the site:
- Street
- Parking lane
- Sidewalk
- Building yard
- Building perimeter
- Building interior
“The key is treating those areas in ways that
are appropriate to the threat,” Droge says, adding that the
distance of the setback between the sidewalk and the building yard,
for example, is going to be larger at a higher-profile site versus
a less prominent building. The landscape architect should always
balance security features with the actual threat posed to the site,
rather than employing a “one-size-fits-all solution,”
she says.
To assess the threat to the site, Droge recommends
hiring a security officer or consultant for the project. Sometimes
a landscape architect has very little time to draft and plan a design,
she notes, so bringing in a consultant can help the team perform
a security analysis quickly leaving more time for the design phase.
Designing a secure perception
Security design should not always be invisible, Droge contends,
because a lot of security is perception. “If people feel threatened,
then it’s as good as if there is an actual threat,”
she says.
“Sometimes a certain amount of deterrence is
useful,” Droge adds. “For example, a well-designed guardhouse
that is integrated into the landscape but is clearly a manned guardhouse
can provide deterrence for a high-visibility building. “
Terrorists usually plan an attack for anywhere between
six weeks and six months, she notes, and seek targets that are both
high profile, where an attack will be noticed and covered in the
media, and vulnerable so that the attack will be successful. If
terrorists note a high level of security around a target, they are
more likely to question the ultimate success of the attack and move
on to another target. Therefore, with physical security a landscape
architect should incorporate some amount of visibility. However,
Droge says, the ideal design will provide that visibility while
at the same time creating a beautiful landscape.
She points to the new Washington Monument landscape
by Laurie Olin, FASLA, which saw its public debut on the Fourth
of July, as an example of a security design that provides a visible
deterrent, while at the same time creating a striking landscape.
“His really big move was to create circular
perimeter ha-ha walls that fall away from the building to prevent
cars from even approaching the monument, and doing it in the most
simple and unobtrusive way possible,” Droge says. She also
notes that the Washington Monument design—which originally
had a below-grade entranceway to funnel visitors into the site—is
the result of compromise, another hallmark of good security design.
Assessment, not reaction
“The worst security design is that which only reacts to what
has happened in the past,” Droge contends, adding that the
best way to avoid this is to assess the threat to the site. She
says that landscape architects should talk to clients and understand
their concerns—which are always legitimate but can be reactionary—and
urge them to incorporate an appropriate security design. “Don’t
apply a one-size-fits-all design,” she says. “Design
to the threat, rather than what’s happened in the past.”
She also notes that landscape architects must be
upfront with their clients about the limits of any security design
and stress that no matter how prepared they may be, terrorists can
still infiltrate a site. “The thing to remember here is that
there is no 100 percent guarantee for providing security,”
she says. “If people are willing to die for their cause and
have a well-thought-out plan, there is a very good chance they will
succeed. Landscape architects need to explain this to their client,
understand their client’s fears, and implement security measures
appropriate to the site.”
Finally, Droge notes that security design is
an ever-evolving field, with many of the best security designs—like
Olin’s Washington Monument design—just beginning to
take shape. “I really hope people who read the book will take
a look at the epilogue, because some of the most exciting designs
and innovations are coming out now, and that’s where we touch
on these things.”
*Droge's
degree in landscape architecture was inadvertently omitted from
this article when it was originally posted.
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